![]() ![]() I wasn’t criticizing the film which I love very much. I have been lambasted for criticizing Empire Strikes Back. You don’t want people to think “Wow, that’s part one of something” or even part two of something. Not that we can do everything with every character but you wanna get an arc that’s complete. One, I think the biggest mistake in the world of franchising is… well, as he says in Gattaca: “Know how I beat you? I didn’t save anything for the way back.” Don’t worry about, “Well, we can do something next time.” It’s like, whatever you want, get it in there. WHEDON: Yeah, I mean, you’re aware of that, but you sort of can’t be slavish to it. When you’re inserting them here, are you always thinking, “I’m inserting this character and now I’m building this huge arc that is going to play out over phase three or phase four”? ![]() Introducing characters like Pietro who I know is a favorite of yours. When did you first start coming up with ideas for the sequel, and were your first ideas the ones you’re actually making? Let’s face it, it’s about cheek bones, people. WHEDON: Yeah, and of course, I wanted Paul to play this part since before I wanted to make an Avengers movie. That was our reaction when we walked out there. It really took a long time to get to a place where we felt like… even though we will work on him in post… he walks on and we go, “Oh, it’s The Vision! My God!” The first tests were very Violet Beaurogarde. Basically, what usually happens is, one of the guys, Ryan Meinderding or one of the guys on his staff draws something unbelievably beautiful, and we try to create that in real life, and it takes a long time. The stunt guy, we have to make allowances for the shape of his face and padding and things that we’re putting on him, but they’re not meant to look different. WHEDON: No, we make them as close as we can. ![]() Are you still working on how it’s gonna look? I’m curious about the look of the Vision and how it’s going to evolve. ![]()
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